When Work no longer works

by Kailash Gyawali (Flickr)I remember when Work was the place you went to, to get things done. Increasingly I find that when I really have to get things done - which in my industry is coming up with new ideas and designs for executive leadership development work (apart from managing a whole lot of people and bringing in revenue), work is probably the last place I would think of to do this well. Why is this? Well, frankly work is the place where I am interrupted a lot by others, where unexpected demands happen and where there is little time to think slowly, deeply and well. For a truly wonderous and succinct description for the world of work as interruption, Jason Fried's talk at TED on why work doesn't happen at work is a gem. I have become interested in this because I have to give a plenary session in two weeks time at The Future of Learning conference - a crosss continental initiative hosted by Ashridge, Melbourne Business School and UCT GSB.

The irony is that as I write this, it is not from work. I am doing this from home today - where I generally think very well. The topic of my paper is Learner Readiness -which within this context is rather paradoxical. If we no longer work well at work, where else are we learning and what kind of readiness for learning should we be building? I am in agreement with the move towards learning as a lifestyle and Dave Duarte's superb insightson this - where learning is a way of being, not just something which happens in very particular places - but rather as something which is part of what we do in multiple spaces to be enriched and fulfilled human beings.

Remember that old chestnut, the 70/20/10 Model which said 70% of learning happens on the job, 20% comes from observing and working with role models at work and 10% comes from formal training. What do we do now when increasingly, what we teach impacts people in their personal and professional lives? The model does not allow for home as a place of learning. Neither does it allow for the very real impact of coaching would would perhaps change the 20% rule significantly. I would say that today 10% of learning happens at work, upwards of 50% through coaching - either executive or peer and that upwards of 40% happens in those other places where home is a significant player - because with the addition of new technologies -we are no longer able to discretely box 'work' into the thing we do at the office.

I think this shift has a significant impact on what we design for organisations when it comes to their leadership development and critically when it comes to building learner readiness because it is no longer readiness just for the office but in actual fact readiness as a way of engaging in the world through the multiple places where we learn continuously.

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Lessons Learnt, Volcano Elaine Rumboll Lessons Learnt, Volcano Elaine Rumboll

Still Stranded in Frankfurt - Lessons Learnt

I was supposed to fly home on Saturday night. Instead, I have been grounded like 6.5 million other travellers. Rather than be furious, I thought this would be a really opportune time to reflect on the lessons I have learnt (and, sob) continue to learn from this experience. Gelassenheit

Letting things be. There is something quite extraordinary about giving up. Everything is an offer. Watch what happens when you stop fighting and trying to control things. Observe what you notice and how the world opens up with everything.

The Comfort of Strangers

There has been a joy and a sense of belonging in #ashtag and #stranded on Twitter. First, to see others in far worse off positions - One girl missed her wedding. The other is to really begin to understand Desiderata: Never compare yourself to others in life because you will always find people better and worse off. This comforts me.

Humour

RT @andylockran: Iceland go bankrupt, then manage to set their island on fire. Insurance scam written all over it.

So here's to all of those still #stranded. It's possibly the greatest lesson in going slow to go fast.

At the worst of times and the best of times, our humour prevails. It continues to remind me how important it is to laugh and how this is perhaps the most important form of Art.

Stay curious. See you on the other side.

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The Art of Noticing

Noticing is a skill which is seen as central to creative literacy. Could it also be that it is a practice which is critical to business success? I think that it is. The problem though with the rate of change happening faster than our ability to respond to it is that many of us just seem to want knuckle down and get on with it, using the well worn filters and models which worked in the past and pray they serve us well in the future. The challenge is that we are living in a world where "time sickness" (the belief that there is not enought time and that it running out for us) is a real anxiety generator and thus any extra time required to practice a way of seeing things differently is viewed by many as just too overwhelming. In an informal poll done with delegates on our executive education courses at UCT GSB, many stated that they were working longer hours, taking shorter breaks and multi tasking just to try and keep up with the sheer volume of information they were confronted with daily. As many of you will know, I am working on the notion of Curiosity as an enabler of learning and as a filter for our attention. But what of the art of noticing? What has become clear for me is that conscious noticing is not easy. It requires energy and practise. In it's own right, noticing is an act of attention. Noticing, like Curiosity, is an appreciating asset. What I am particularly interested in is the way in which how we notice things differently will start informing our own leadership practices.

It is my belief that other discplines often provide extraordinary insight for crafting and understanding questions we might not have fully birthed. In the current world of augmented reality, designers craft avatars and characters that live not in the full focus of one’s vision but to the side – at a glance (Slavin, 2009; Cerveny, 2009). This can be much more efficient than fully parallel approaches to pattern recognition. The art of the glance is a useful exercise to practice when attempting to notice things outside of one’s normal area of perception. In fact, according to Schmidhuber (1991), humans and other biological systems use sequential gaze shifts to detect and also recognise patterns. This peripheral vision gives rise to residual objects which exist alongside of us but which are seldom noticed. Simply put, what are you noticing from the corner of your eye that you would usually filter out, but could possibly give opportunities for seeing differently? How can this way of seeing improve your capacity as a leader - when so much of the literature tells us to have a clear and uninterrupted focus.

I don't have the answers to these questions but I am priviliged to be working with Dave Bond, who is the Director of the Leadership Centre at Ashridge Business School in the UK on a new three day programme entitled The Art of Noticing - Fresh Eyes for New Opportunities which will be run in October at the GSB and explore some of these challenges. 

I am genuinely excited by the possibilities this can generate for more effective leadership and the opportunities it can help us as leaders  generate in our own businesses and practices.

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Commentary, Poetry Elaine Rumboll Commentary, Poetry Elaine Rumboll

When You Leave South Africa

When you leave South AfricaI will sit in the fruit-laden streets in the brightly painted cafés in the maze-like bookshops and play once more with the stories we created

I will throw your laughter high into the pine trees as I drive the same roads without you

I will send you postcards of Sunday morning Africa with its Gospel voices and street-corner gossip through richly patterned curtains

But I know that all these are scenes you may well find in other cities

And so I will wish with other things

The energy of men dipping and soaring with outstretched arms down Lily Avenue as children drum their laughter on municipal dustbins and hope chants from flat windows and balconies after each World Cup soccer qualifier

And perhaps these images of pride and love and strength will draw you back 

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I wrote this poem in 1996, fourteen years ago. Halcyon days.

(This poem is from a volume of poetry entitled the The Child Machine)

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Creativity can’t change the world

I have always held the belief that a more creative workforce can change the world. This view was challenged in the best possible way by one of the most extraordinary thinkers that I have yet to come across at the Design Indaba. Alejandro Aravena is creating the impossible in the low cost housing environment by challenging assumptions about what it means to build architectural structures for the poor. It is worthwhile to have a look at some of the work that he has been doing on this in Chile. It is inspiring and perhaps the solution we are looking for in addressing our own low cost housing challenges in South Africa.

The 'dotank' work he is doing is exceptional but the tenet which underlies his thinking is for me even more hard hitting. He has to my mind reconstituted the notion of creativity and the kind of work it can do for us in multiple disciplines.  Here is how some of that thinking goes:

It is not because ideas have not been developed that people are galvanised to action, but rather that what has been proposed does not seem to be sufficient. This is what inspires and drives people to creativity. Therefore it is not that creativity changes the world but that the world changes and we therefore need to be creative.  Creativity, according to Alejandro Aravena, is what emerges when there is not enough available knowledge to provide a solution. If there were sufficient knowledge there would be no need to be creative. Creativity can’t change the world. It’s because the world changes that we need to be creative. Creative is thus not a goal but a consequence.  And for it to be an elegantly crafted consequence, the key elements must be constructed around the three key elements of relevance, precision and irreducibility.

It is for this very same reason that creativity should not be propounded as a drive for solutions but rather as a place to craft incisive questions and provocative possibilities in a world where the rate of change is happening faster than our ability to respond to it. And it is this reality which demands an ongoing construction of the possible.  

After all, answers never change the world but questions certainly do. And it is creativity with its muse of curiosity which does this so very well.

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